As a photographer, gear upgrades aren’t about chasing the newest release — they’re about meeting the demands of your work. Over the past year, my projects have grown in scale: more editorial shoots, brand campaigns, and images destined for large prints, ads, and heavy cropping.

That’s exactly where the Canon R6 Mark III stepped in.

Before we go any further, let’s be clear: the Canon R6 Mark II is still an incredible camera. This upgrade isn’t about fixing flaws — it’s about refinement, flexibility, and future-proofing. Here’s why I made the switch and whether it makes sense for you.

If you’re in the Canon RF ecosystem and serious about portrait photography, chances are you’ve looked at both the RF 50mm F1.2 and RF 85mm F1.2. I’ve used both in real shoots, and let me tell you—these lenses are monsters. But which one should you go with? Let’s break it down.

When it comes to portrait photography, the lens you choose can make or break the magic. So, when I got my hands on the Canon RF 50mm F1.2, I had one question in mind: Is this the ultimate portrait lens? After putting it through real-world shoots and pairing it with my Canon R6, I have some thoughts—and I’m breaking them down right here.